Plot: This film applies the six principles for composition delineated in ‘Opinions on Painting by the Monk of the Green Pumpkin’, written by the eighteenth-century Chinese painter Shih-T’ao as referenced in Raúl Ruíz’s essay For a Shamanic Cinema (for example, ‘draw attention to a scene emerging from a static background’ or ‘add scattered dynamism to immobility’). The film is composed of scenes with non-actors, and texts by R
Laida Lertxundi