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Plot: A silent fisherman in Texas, a blazing oil field in North Dakota, a mysterious community in Virginia, a women’s prison in Oregon, and a modernist home in California are the ostensible subjects of Austin Lynch and Matthew Booth’s new feature, GRAY HOUSE. But as meditations upon nature, isolation, decadence, and destitution, they are flawless conduits for seamless blends of documentary and narrative form, and stunning explorations of sound, image, and cinematic time